Boy & Bear guitarist Killian Gavin shares thoughts on some of the albums which have been influential in his musical awakenings—Cat Stevens’ Tea for the Tillerman, Neil Young’s Harvest, Fleetwood Mac’s Rumours and Tamam Shud’s Evolution—as well as other reflections on song writing and live performance.
Listen using the audio player above or download the episode from the Wide Open Air Exchange podcast using iTunes or Stitcher or your preferred podcast platform.
Below is a live performance by Neil Young mentioned by Killian during the discussion along with a couple of additional videos. One is an all-time favourite of mine which is relevant to our conversation. The other is a live Boy & Bear concert. Look out for a forthcoming new Boy & Bear album by following the band on social media.
Interesting to hear Neil Young’s introduction which explains his inspiration for the song. It’s not a father-son song as I had thought and as discussed with Killian.
The education sector in Australia is producing five times as many graduates of video game development courses than there are jobs in the industry. Many of the graduates end up working for poker machine companies. Jeremy Ray discusses his research on this subject for a feature article published in Game Informer magazine.
You can hear an unedited version of this discussion and a longer conversation about video games and the gaming industry in the original podcast episode here.
There are not many people who can say they were in counter terrorism during the 9/11 terror attacks on the United States. Nick O’Brien, who worked for Scotland Yard for thirty years, was on duty in charge of international intelligence and operations in Special Branch and he recalls the gravity of that moment.
You can access the full conversation with Nick O’Brien about counter terrorism here.
An explanation of why The Jungle Book was recognised for best visual effects at the Academy Awards. Below is an excerpt of my pre-Oscars conversation with James Whitlam from Framestore. James explains the visual effects techniques used in the film based on the five categories it won at the Visual Effects Society Awards beginning with Outstanding Visual Effects in a Photoreal Feature.
Since Donald Trump won the U.S. presidential election I’ve received several messages from friends asking how this could have happened. Here is a little of my conversation with Gabriel Delaney from before the election in which he gives a good overview of how support for Trump is a push back against political correctness and elite establishment politics in America and a reflection of white nationalism by a portion of the population.
To be clear, Gabriel is a Democrat and was supporting Hillary Clinton. This conversation was an election explainer and an overview of the political narratives of each of the candidate’s campaigns. You’ll find the full conversation here.
I’ve seen an outpouring of grief over the election result and fear of what’s to come. Maybe I’m overly optimistic but I’m expecting Trump to be more restrained in office than in campaign mode. The realities of the presidency and institutional checks and balances should reign him in. He’ll likely continue to have loose lips but I struggle to imagine him going through with some of his wild ideas. Here’s hoping.