Theologian Dr Chris Deacy from the University of Kent in Canterbury specialises in analysing the intersections of religion and secular films. Chris explains his approach with reference to popular films including Groundhog Day and Fight Club. We also discuss some philosophical questions about religion and Chris shares stories from his formative years and his discovery of film and theological studies.
An Oscars episode about the films nominated for the Academy Award for Best Visual Effects this year. James Whitlam is executive producer of film at Framestore in London where he’s currently in final delivery on Guardians of the Galaxy Vol. 2. Previously James worked with Iloura as a producer on Deepwater Horizon, which is one of the nominees this year, and with Rising Sun Pictures on five Harry Potter movies, Wolverine, Superman and other major Hollywood films. James shares industry insights and technical knowledge from his 25 year career in visual effects.
Answering your messages and comments with audio from previous episodes. Topics include media coverage of funerals, the gentrification of Austin, Dolly Parton, the Black National Anthem, film remakes, Elvis, and pursuing your childhood dreams. Features music by Radford Ellis from his album Lonely Blue Boy.
Davis Rivera is an Oxford scholar specialising in Film Aesthetics. He wrote his dissertation on the Hungarian director Béla Tarr. Davis is originally from Port Arthur, Texas. He fields my questions about his origins as a cinephile, the state of Texas, Southern rap, and various filmmakers and actors including an in-depth discussion about his favourite actor Warren Beatty.